- 电影
- 电影
双宝斗恶魔/塔克与戴尔对恶魔
HD高清
风和日丽的一天,杰克和艾丽等8名大学生驱车来至莫里斯湖的森林度假。这里据说在20年前曾发生一起惨绝人寰的大屠杀,这个传说让这群看惯类似题材恐怖电影的男女们惴惴不安,而途中偶遇的两名当地青年也让他们心有余悸。那两名青年名叫托克(艾伦·图代克饰)和戴尔(泰勒·拉拜饰),是一对从小一起长大的好朋友,虽然面...相凶恶,骨子里则实实在在的热心肠。他们相约前往莫里斯湖的山间小屋附近垂钓,夜晚偶然救助了意外落水的艾丽。然而他们的善举却被艾丽的朋友们误解成为杀人的暴行。鲁莽的男女们决心救出朋友,却引发了一连串的血腥惨剧…… 本片荣获2010年亚洲奇幻电影节评委会最佳处女作奖。
- 电视剧
五毒屋
连载中待更新
主要讲述的是在Prayok(Badipan Battawigan饰)的屋子里发生的事。Prayok是个很有前途的公务员,与Bin(Nattariga Tambridanan饰)结婚了。结婚后,Bin才发现Prayok原来已经有老婆了,叫Waen(Ramawadee Nakchadree饰)。但因为Waen不是个有野心的人,又爱护敬重Bin,Bin也很喜爱Waen。三个人在一起过着平淡幸福的生活。直到有一天,Son老板(Tanongsak Supagon饰)请求Prayok收留下Yok(Sirapan Watjinda饰)和Tabtim(Onjira Laemwilai饰)做老婆。因为当时泰方正在扫除非法住在曼谷的华人。Prayok的屋子从原先的平静幸福变得充满妒火,而抢夺也悄然开始。
- 电影
未知病毒
HD高清
甲流(H1N1)病毒爆发,致令全世界陷入一片末世的恐慌之中。但在这一巨大灾难面前,人类的丑恶与贪婪愈加彰显无遗。亿万女富豪出资资助格雷夫曼教授(乔·扎索 Joe Zaso 饰)的医学研究小组,要他研究甲流病毒的变种,开发最为强大的病毒。虽多少受着良心上的苛责,但格雷夫曼依然继续他的实验,并且不惜拿活人作观察标本。与此同时,品学兼优、才华横溢的29岁英国生物科学学者马尔科姆·伯尔(杰·戴伊 Jai Day 饰)应聘加入格雷夫曼的小组,毫不知情的他全心投身于甲流疫苗的探索中,却意外制造出了拥有强大杀伤力的甲流变种病毒X。这一发现,令他和格雷夫曼推开了通往地狱的大门……
- 电影
沉默37人
HD中字
2016剧情片
At feature length, Puk Grasten’s 37 reconstructs events that took place on March 12 and 13, 1964, in the Kew Gardens neighborhood near Austin Street and the station for the Long Island Railroad. But while the murder of Kitty Genovese might be the Most unusual of those events, 37 focuses on the stories and people that surround and bear witness to that horrific act. We see what they see, throughout the day and night. From those many perspectives, the deeper meanings of the Kitty Genovese story – and as it speaks to us today – emerge with new urgency. Just as recent acclaimed films such as Lincoln and Selma have asked us to consider turning points in American history through the prism of contemporary social issues, 37 reimagines the Genovese story through that same historicized lens, as well as the eyes of witnesses to history. Grasten explains: “With the short film, I was able to explore mood, characters and take on that challenge: how much can you tell the story of Kitty Genovese without her being the main character? And the answer was to further explore the bystanders, to put yourself in that situation.” Returning to her native country, Denmark, Grasten found development support from New Danish Screen ,the indie department at the Danish Film Institute, which allowed her to fund pre-production and start bringing the project to life. As a feature, 37 is not intended to be documentary or precise reenactment. While some of the actions and general descriptions of the dozen principle figures in the film have some historical parallel, the characters have fictional names and circumstances, except for Kitty Genovese. This reimagination of the event, framed from so many different perspectives, meant giving each character, family, and even specific location a unique look. While certain scenes in 37 will remind viewers of fly-on-the-wall cinema verité, other sequences are more stylized. Grasten began that process of differentiating perspectives by developing a visual “mood book”. “We wanted it to feel like separate worlds for each family – we refer to it as a POV film, with specifically different perspectives from the adults, the children, and the buildings. I rewrote the script specifically with those POVs in mind, trying to capture that subjective experience. These different points of view, different filters, convey different emotions and reactions”. The visually inspired production concept helped fuel the creative process on-set during the film’s 18-day shooting schedule. “Everyone on the crew had their favorite family or character,” the filmmaker says. “They all found themselves identifying strongly with one perspective or another. It was interesting to see how they discussed or defended different characters ‘actions based on their own life and believes.” It also helped that Grasten worked with a talented team of actors who understand how to craft deep characters through focused ensemble work, and the ability to inhabit their characters naturally and organically. That can be a particularly vexing challenge when working with children, who populate the film and whose perspectives occupy a great deal of screen time. Already dealing with traumatic issues and finding it difficult to navigate with and understand the adult world, their witnessing of the attack and murder on their young, vivacious neighbor proves especially complex to evoke from young performers under the age of 12. Puk Grasten explains that the child characters are really the central thread of the film – “They are the ones being taught by circumstances. Combining their perspectives, they become one person when witnessing the murder – Troy hears everything, Billy sees everything, Debbie physically tries to get to Kitty. When they seek the truth, they are confronted with doors shut in their faces. “I’ve worked with kids in short films before, and have used a lot of improvisation and creative games,” Grasten says of nurturing her younger cast members. “I knew I wouldn’t be able to work with these young actors for a long time to deeply develop their characters, so I had to rely a lot on their ability to play along. During auditions, I was interested in the ones who weren’t just saying the words, but wanted to take time to listen and respond. That also meant spending time with the parents, adapting the script where I needed to, and really focusing on the kids before, during, and after each take. By the time we got to the end and the more difficult scenes, I think we all trusted each other enough to get the kids where they needed to be”. “I had some of the actors in mind when I was writing the script, because I knew their work, but actually getting a chance to work and create with them were a huge opportunity. They felt like real people who lived in that neighborhood, and the creation of their characters extended to costume, makeup, props we all found together. It was a very organic process, and with the liberty of the camera, we could get a lot done – shooting rehearsals, improvising, finding great, real moments that weren’t in the script.” The detail extended to the neighborhood where 37 was filmed. State law understandably prohibits filmmakers from recreating real-life crimes in the exact locations where they occurred, so Grasten’s crew made do with similar looking buildings and structures located in Forest Hills, just to the north of Kew Gardens. As the story of Kitty Genovese is reconsidered through the eyes of the characters of 37, Grasten is confident that the film will foster positive and productive discussion despite its still difficult subject matter. “This story is the beginning of what’s going on today, where we see everyone hiding and pointing fingers at others, and we say ‘it’s horrible but someone else will take care of it. We’re behind closed doors, in our own groups, liking things on Facebook. So I’m hoping we can use Kitty Genovese as a place to begin the conversation about how we are asked to stay in our place, instead of being asked to make things right. What is it about everyday life that we refuse to see when bad things happen? Why is it that if we can’t care about ‘everything,’ we can’t care about anything?”
- 电影
13号怪异岛
高清
美国国家公园一处被称为13号怪异之地的尸体农场,医学教授拉里·杰弗逊(尼克·摩根 饰)带领梅根(凯瑟琳·伊莎贝尔 饰)、丹尼尔(布兰登·费尔 饰)等六名学生来到这里,他们将在汤姆金斯(迈克·山克斯 饰)的指导下进行一次完全与世隔绝的罕见医学实习,一旦成功通过测试将有望在FBI谋得实习职位。当地处满了...大量废弃车辆以及死状恐怖的腐烂尸体,队员们分成不同小组,按照汤姆金斯的指示取样化验。 然而令他们想不到的是,政府曾在此地进行过极不人道的生物实验,但学生们专心工作时,那些高度腐烂的死者开始苏醒,准备上演一场血腥淋漓的饕餮盛宴……