瑞典小镇,两名情窦初开的花季少女。影片开始在安妮(瑞贝卡·里尔杰伯格 Rebecka Liljeberg饰)写下的生日愿望中展开,内向自闭的她把这个秘密一直封存在自己的电脑中。在学校里,她也觉得自己没有真正的朋友,直到她转校来到伊琳(亚历桑德拉·达尔斯托姆 Alexandra Dahlström饰)的班上。外向叛逆的伊琳美丽早熟,身边总是围绕着一群讨好她的女生跟一堆追求她的男生。安妮一直默默的注视着她,暗暗把伊琳作为自己的爱恋对象。在生日聚会当天,大家发现了安妮的秘密——希望伊琳可以爱上她。伊琳因为一个赌注真的亲吻了安妮,两人的关系发生了微妙的变化。她们之间这纯真的爱情,是否能够抵过父母的质问与同学的嘲弄,终可挽着双手、昂首挺胸地走出人群呢……
In the 1970s, one entrepreneur took America for a ride. All roads lead to #TheLadyAndTheDale, premiering January 31 at 9PM on HBO Max.
From Emmy-winning producers Mark and Jay Duplass, The Lady And The Dale explores the story of mysterious entrepreneur Elizabeth Carmichael, a trans woman who rose to prominence when she released a fuel-efficient three-wheeled vehicle during the 1970s gas crisis. The four part docuseries dives deep into the rise and fall of Liz’s extraordinary life through fraud, family, identity and the pitfalls of the American Dream.
在虫族突袭布宜诺斯艾利斯之后,联邦军队发动反攻,在坦戈约里击溃虫族,并在P行星虏获虫族首领。在此之后,联邦军队乘胜追击,派大军杀向虫族隔离区。残酷的战斗没有止境,机动部队第6战队遭到虫族围攻,苦盼救援部队不得,眼看灭亡在即。关键时刻,第6战队首领夏普德将军(埃德·劳特 Ed Lauter 饰)与几名士兵吸引虫族,命令霍顿(Jason-Shane Scott 饰)、珊蒂余下的战士前往最近的祖鲁角哨站避难。此前,该哨站已经废止,所有人员全部死亡,只有一名中尉幸存。在这个隔绝之地,战士们进行最后的抵抗……本片为《星河舰队》的第一部续集,拍摄完毕后直接发行DVD。
Left alone for the night in their new orchard farmhouse, three teenage sisters soon find themselves at the mercy of some unscrupulous townie boys. The tables are turned, however, when the malevolence that roams the orchard starts to hunt down the boys.
Desiree Banner may own her own record company but she has struggled to find her perfect melody since leaving the band she once headlined with her brothers Mitchell and Johnny
第66届戛纳电影节特别展映单元影片。Sara is a young girl raised in a family of goat farmers. her parents homeschool their twelve children, rigorously following the precepts of the Bible. Like her sisters, Sara is taught to be a devout woman, subservient to men while keeping her emotional and physical purity intact until marriage. Made with non-actors in their own surroundings, the film avoids commenting on religious mentoring or on the essence of community life in order to capture the intimacy of a society where home-schooling is just as natural as target-shooting in late pregnancy. The decision not to emphasize any particular characteristic allowed the director to create an exceptionally vivid portrait in an ascetic yet suggestive film that admirably avoids the traditional tools of dramatization usually applied to stories about adolescent girls or their environment. The director nevertheless succeeds in constructing a comprehensive and compelling portrait of unique individuals while it continues to focus on Sara’s quest for new paths in life.