- 微电影
不朽(微说)
HD
2010微电影
yle="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; text-wrap: wrap; background-color: rgb(255, 255, 255);">影片改编自法国作家Franz-Olivier Giesbert在2006年出版的同名小说。
yle="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; text-wrap: wrap; background-color: rgb(255, 255, 255);"> 故事取材于法国上世纪70年代末发生在雅克贝特的一起真实暴徒火拼事件。
yle="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; text-wrap: wrap; background-color: rgb(255, 255, 255);"> Charly Matte(让·雷诺 Jean Reno 饰)曾是马赛流氓帮的一位教父级人物,在经历了一段漫长的马赛黑手党生涯之后,告别混乱的生活,开始走向正道。三年间,这个只求平静度日了此余生的男人平静的和老婆孩子享受天伦之乐,以为可以彻底告别过往那段阴暗的岁月。但是在一个寒冬的清晨,一切都彻底被改变,Charly遭到伏击,身中数枪,倒在车库中。医生在Charly的身体里发现了22颗子弹,而他却奇迹般地得以生还。到底是谁策划了这次谋杀,又是谁出卖了他,一切真相都将被揭开 - 微电影
索命22颗子弹(微说)
HD
2010微电影
yle="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; text-wrap: wrap; background-color: rgb(255, 255, 255);">影片改编自法国作家Franz-Olivier Giesbert在2006年出版的同名小说。
yle="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; text-wrap: wrap; background-color: rgb(255, 255, 255);"> 故事取材于法国上世纪70年代末发生在雅克贝特的一起真实暴徒火拼事件。
yle="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; text-wrap: wrap; background-color: rgb(255, 255, 255);"> Charly Matte(让·雷诺 Jean Reno 饰)曾是马赛流氓帮的一位教父级人物,在经历了一段漫长的马赛黑手党生涯之后,告别混乱的生活,开始走向正道。三年间,这个只求平静度日了此余生的男人平静的和老婆孩子享受天伦之乐,以为可以彻底告别过往那段阴暗的岁月。但是在一个寒冬的清晨,一切都彻底被改变,Charly遭到伏击,身中数枪,倒在车库中。医生在Charly的身体里发现了22颗子弹,而他却奇迹般地得以生还。到底是谁策划了这次谋杀,又是谁出卖了他,一切真相都将被揭开 - 电影
白银和梦想之书|Silver and the Book of Dreams/Silver
HD
2023爱情片
17-year-old Liv has just moved to London with her mother Ann and little sister Mia, where she meets the mysterious Henry, who has an extraordinary ability. Namely, he possesses the ability of lucid dreaming. But this kind of adventuring and playing with dreams can become very dangerous. An exciting and engaging youth adventure film ba
sed on the highly successful youth novel of the same name, where love, youthful curiosity and rebelliousness meet. - 电视剧
熟女梦工厂第一季|迎男而上/男上加难
全6集
根据法国同名喜剧改编:生活优渥的家庭主妇突遭打击,丈夫的去世揭示了一个秘密:原来他是一家成人色情电影公司的老板,作为法定继承人的她需要找到挽救公司和维持生活的方法。
- 电影
自然时光|候燕/The Nature Of Time/Until the Birds Return
HD
2017剧情片
今天的阿尔及利亚:三个故事,三代人。穆拉德,一位离过婚的房地产开发商,觉得身边所有人都在逃避他。艾莎,一个年轻的女孩,在情人和未婚夫之间两难挣扎。达曼,一位神经学家,在婚礼前的一天突然被他的过去所困扰。
- 电影
波斯
更新至3集
踏上难能可贵的探索之旅,了解拥有两千年历史的绚烂艺术文化,及其铸就的世界上最古老的帝国。 故事中的这片土地拥有两个名字:波斯——古老而神秘,充满冒险气息,强大的国王建造了大批雄伟的寺庙和宫殿,美景超乎想象;伊朗——骄傲、孤立,对外界的干扰不屑一顾。 BBC Studios获得了前所未有的特许,得以深入伊朗进行拍摄,展现这座古国非凡的历史与文明。从迷宫式的集市到波斯古代君主的都城波斯波利斯,再到圣火燃烧逾千年的火神庙,主播兼记者萨米拉·艾哈迈德(Samira Ahmed)带领观众一同踏上这段独一无二的难忘旅程。 在三集的内容中,萨米拉将揭示波斯文明在历史中的重要地位;在跌宕起伏的演变过程中,进一步了解其一次次的辉煌与陷落。在这趟旅程中,萨米拉还有一个重大发现:波斯人曾有一度几乎迷失了自我,直到一本书的出现,才使他们得以重新认识自身,继而实现波斯文化的复兴——《列王纪》(Shahnameh)。菲尔多西凝聚毕生精力的史诗巨著,没能在他生前为他赢得期望中的赞许与财富,却在他死后长久流传——《列王纪》不仅掀起了波斯语言与文化的复兴大潮,更在后世绵延千年的数度王朝更迭与社会变迁中,成为了维系波斯传统的重要纽带,为伊朗人民的文化认同提供了坚定的基石。
- 电影
- 电影
头号通缉犯
HD
2010剧情片
Mumbai-ba
sed CEO of Channel X, Jaikishan Shroff, has instructed his staff to carry out a number of sting operations to expose elusive underworld gangster, Musaa, leading to threats against his life, as well as a failed abduction of his son, who ended up being rescued by his to-be brother-in-law, Rohan. Though Jaikishan asks for police protection for his staff, he is not made aware of this abduction and fails to ask for any protection for his family from his Police Commissioner friend, A.K. Singhal. The family goes on a vacation to an undisclosed location, and decide to suspend all communications with Channel X. It is this decision that will lead to the entire Shroff family being held by gun-toting hyper gangsters - who are determined to locate video material that may incriminate Musaa. Leaving his family behind, Jaikishan returns to Mumbai with one of the kidnappers, and will find that two of his staff have been shot dead, one employee, Hyder Ali, is missing, and the police are ... - 电影
沉默37人
HD中字
2016剧情片
At feature length, Puk Grasten’s 37 reconstructs events that took place on March 12 and 13, 1964, in the Kew Gardens neighborhood near Austin Street and the station for the Long Island Railroad. But while the murder of Kitty Genovese might be the most unusual of those events, 37 focuses on the stories and people that surround and bear witness to that horrific act. We see what they see, throughout the day and night. From those many perspectives, the deeper meanings of the Kitty Genovese story – and as it speaks to us today – emerge with new urgency. Just as recent acclaimed films such as Lincoln and Selma have asked us to consider turning points in American history through the prism of contemporary social issues, 37 reimagines the Genovese story through that same historicized lens, as well as the eyes of witnesses to history. Grasten explains: “With the short film, I was able to explore mood, characters and take on that challenge: how much can you tell the story of Kitty Genovese without her being the main character? And the answer was to further explore the bystanders, to put yourself in that situation.” Returning to her native country, Denmark, Grasten found development support from New Danish Screen ,the indie department at the Danish Film Institute, which allowed her to fund pre-production and start bringing the project to life. As a feature, 37 is not intended to be documentary or precise reenactment. While some of the actions and general descriptions of the dozen principle figures in the film have some historical parallel, the characters have fictional names and circumstances, except for Kitty Genovese. This reimagination of the event, framed from so many different perspectives, meant giving each character, family, and even specific location a unique look. While certain scenes in 37 will remind viewers of fly-on-the-wall cinema verité, other sequences are more stylized. Grasten began that process of differentiating perspectives by developing a visual “mood book”. “We wanted it to feel like separate worlds for each family – we refer to it as a POV film, with specifically different perspectives from the adults, the children, and the buildings. I rewrote the script specifically with those POVs in mind, trying to capture that subjective experience. These different points of view, different filters, convey different emotions and reactions”. The visually inspired production concept helped fuel the creative process on-set during the film’s 18-day shooting schedule. “Everyone on the crew had their favorite family or character,” the filmmaker says. “They all found themselves identifying strongly with one perspective or another. It was interesting to see how they discussed or defended different characters ‘actions based on their own life and believes.” It also helped that Grasten worked with a talented team of actors who understand how to craft deep characters through focused ensemble work, and the ability to inhabit their characters naturally and organically. That can be a particularly vexing challenge when working with children, who populate the film and whose perspectives occupy a great deal of screen time. Already dealing with traumatic issues and finding it difficult to navigate with and understand the adult world, their witnessing of the attack and murder on their young, vivacious neighbor proves especially complex to evoke from young performers under the age of 12. Puk Grasten explains that the child characters are really the central thread of the film – “They are the ones being taught by circumstances. Combining their perspectives, they become one person when witnessing the murder – Troy hears everything, Billy sees everything, Debbie physically tries to get to Kitty. When they seek the truth, they are confronted with doors shut in their faces. “I’ve worked with kids in short films before, and have used a lot of improvisation and creative games,” Grasten says of nurturing her younger cast members. “I knew I wouldn’t be able to work with these young actors for a long time to deeply develop their characters, so I had to rely a lot on their ability to play along. During auditions, I was interested in the ones who weren’t just saying the words, but wanted to take time to listen and respond. That also meant spending time with the parents, adapting the script where I needed to, and really focusing on the kids before, during, and after each take. By the time we got to the end and the more difficult scenes, I think we all trusted each other enough to get the kids where they needed to be”. “I had some of the actors in mind when I was writing the script, because I knew their work, but actually getting a chance to work and create with them were a huge opportunity. They felt like real people who lived in that neighborhood, and the creation of their characters extended to costume, makeup, props we all found together. It was a very organic process, and with the liberty of the camera, we could get a lot done – shooting rehearsals, improvising, finding great, real moments that weren’t in the script.” The detail extended to the neighborhood where 37 was filmed. State law understandably prohibits filmmakers from recreating real-life crimes in the exact locations where they occurred, so Grasten’s crew made do with similar looking buildings and structures located in Forest Hills, just to the north of Kew Gardens. As the story of Kitty Genovese is reconsidered through the eyes of the characters of 37, Grasten is confident that the film will foster positive and productive discussion despite its still difficult subject matter. “This story is the beginning of what’s going on today, where we see everyone hiding and pointing fingers at others, and we say ‘it’s horrible but someone else will take care of it. We’re behind closed doors, in our own groups, liking things on Facebook. So I’m hoping we can use Kitty Genovese as a place to begin the conversation about how we are asked to stay in our place, instead of being asked to make things right. What is it about everyday life that we refuse to see when bad things happen? Why is it that if we can’t care about ‘everything,’ we can’t care about anything?”
- 电影
出世入世
高清
让·皮埃尔·德贡贝是一位有两个孩子和一个孙女的老贵族。某日,他突然决定遁入空门,并没有对家人做过多地解释。三年后,恰逢孙女的洗礼仪式,已经成为贝尔纳修士的老贵族决定告假三天,回家看望亲人。孩子们无法理解他的选择,重逢并不令人期待。他的女儿斯蒂芬尼到是乐于接纳父亲,但是她自己在个人生活和事业上却是问题...重重。儿子托马斯始终对父亲存有误解,对于三年前的离去无法释怀。自从他摩托车出了事故后,就拒绝承认自己的父亲,在他的心里,父亲已经死了。让·皮埃尔的归来使家里危机重重,争吵不断。对于孩子们所遇到的实际问题,他的信仰变得那么无能为力。他再次回到了清修之所,也许那里才是他的归宿。孩子们最终也理解了父亲的选择。